VR Audio Ambassador Speaks

If’n you missed it live, you can stream it dead!

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Scott Colburn has basically spent his entire adult life working in the audio business. In the past he’s been a music producer for bands like Arcade Fire, Animal Collective and Mudhoney. He’s done the audio for films. His current job is a sound designer at Microsoft. Colburn is working on their virtual and augmented reality projects. His goal is to get the audio experience of virtual reality to sound just as real as the visual part of it, something that he was inspired to do after going to a local film festival.

One example that Colburn gave was that of a crow on a wire. In real life, if you are walking down the street, and you see a crow on a power line in front of you, and the crow is chirping, you would be able to hear that the crow was in front of you. As you continued to walk towards the crow, and eventually find yourself underneath it, you would hear that the crow was right above you. And as you passed the crow, you would be able to hear that the crow was behind you. That is what Colburn said was lacking audio-wise in virtual reality. The full 360-audio experience to go along with the 360-visual experience. And that is exactly what Colburn is working to improve.

HG Lewis – Dead at 87

First Brad and Angelina, now THIS!

Horror filmmaker Herschell Gordon Lewis, known as the “Godfather of Gore” for his bloody exploitation movies that launched the splatter genre in the 1960s with films such as “Blood Feast” and “Two Thousand Maniacs,” died Monday at 87.

The Something Weird Video site announced his death.

“Blood Feast,” made in 1963 in Miami, was considered to be the horror genre’s first splatter film. Variety called it a “totally inept shocker” that was “an insult even to the most puerile and salacious of audiences,” with a “senseless” screenplay and “amateurish” acting.

His films supplied grindhouse cinemas and drive-ins with titles including “A Taste of Blood,” “The Wizard of Gore,” “The Gruesome Twosome,” “Scum of the Earth!” and “She-Devils on Wheels.”

Beginning in the 1960s, his early films with the late producer David F. Friedman were skewed toward soft-core erotica. Lewis’s other films also took on subjects that were taboo at the time including the birth control pill “(The Girl, The Body, and The Pill”) and wife-swapping (“Suburban Roulette”).

He took a lengthy break from directing after 1972’s “The Gore Gore Girls” to work in direct marketing but returned in 2002 with “Blood Feast 2: All U Can Eat,” which included a cameo from a longtime fan, John Waters.

In addition to being a filmmaker, Lewis taught college literature, worked in radio and produced and directed TV commercials. He wrote several books on marketing and copywriting.

Personal Favorite!!

Wizard of Gore