View from our apartment mid day. Kinda sucks.

View at first light from our apartment. Kinda sucks.

I remember posing for Dali in 81, but I never saw what he did with it.

Funkadelic – Alice In My Fantasies
Zac Nelson – Be Wilder Edge Strut
Zac Nelson – Mrot Boy March
Zac Nelson – Bout My Hound Dog
Jane Jane Pollock – Sewage
Jane Jane Pollock – Twice Dead Three
Jane Jane Pollock – Painted Face
Kraftwerk – The Robots – The Man Machine
Public Image Ltd. – Theme – Public Image Limited (First Issue)
Public Image Ltd. – Religion II – Public Image Limited (First Issue)
Mountain Park – pirate full
Dark Lotus – Intro – The Opaque Brotherhood
Dark Lotus – Follow The Leader – The Opaque Brotherhood
Dark Lotus – Heinous – The Opaque Brotherhood
Dark Lotus – Witch Trapped In This Song – The Opaque Brotherhood

Very cool photo of Seasons by Tom Wright.

Check out the new singles from that session.

Look at this beautiful cover art for the Vensaire record that I produced

I still LOVE this photo! Coming Soon live at a House Party!

Well, it looks like the Summer of Colburn is sounding pretty sweet again this year. In this article you can stream two songs from the upcoming full length by Seasons which I produced last year. The author got a few things wrong (saying that I “engineered” the record rather than “produced” it and referring to the mastering engineer as the Mixer, when it was Julian Martlew and myself) but at least it got in print! right? Please to enjoy these sounds.

Stream: Seasons, ‘Used to Be Alive’

KEVIN BRONSON on June 11th, 2014

Scene regulars Seasons have largely been off the radar in the two years since they completed releasing their four-EP cycle “Spring”/”Summer”/”Winter”/”Autumn” between 2009 and ’12. There, the ensemble led by singer-guitarist Nik Garcia established themselves as sometimes-cinematic, sometimes-wonky psychedelic explorers. The septet is back this fall with the full-length “Everything Changes,” and if that title doesn’t suggest some existential navel-gazing, then you have the single “Used to Be Alive,” which laments, in apogean fashion, the detachment brought on by encroaching technology. Then there’s “Fossils,” which amid dream-state synths ponders the “remnants of my old life,” punctuated by Dayna Richards’ horn. Produced by Scott Colburn (an engineer on Arcade Fire and Animal Collective records, among other credits) and mixed by Dave Cooley, “Everything Changes” figures to offer an emotional opus on the passage of time by a band who have seen it.

It looks like we’re gonna have ourselves a rock and roll party tonight!