{"id":4266,"date":"2019-04-29T10:55:44","date_gmt":"2019-04-29T18:55:44","guid":{"rendered":"http:\/\/scottcolburn.com\/blog\/?page_id=4266"},"modified":"2023-01-07T16:32:26","modified_gmt":"2023-01-08T00:32:26","slug":"audio-wizardry-credits","status":"publish","type":"page","link":"https:\/\/scottcolburn.com\/blog\/?page_id=4266","title":{"rendered":"Credits"},"content":{"rendered":"\n


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Scott Colburn is an audio wizard residing in Seattle but has been known to materialize all over the globe. <\/code><\/p>\n\n\n\n

He is currently concentrating on spatial music mixing, audio perception research and AR\/VR sound design.
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Now approaching 30 years in the audio business, Scott's career highlights are as follows:<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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2002 Grammy Award for Charlie Patton - <\/code><\/p>\n\n\n\n

\"Screamin' and Hollerin' the Blues\" box set <\/code><\/p>\n\n\n\n

(Revenant)<\/code> <\/p>\n<\/div><\/div>\n\n\n\n

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2007 Grammy nomination for Arcade Fire - \"Neon Bible\" (Merge)<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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2008 Les Victoires de la Musique for Cali - \"l'espoir\" (EMI France)<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Animal Collective - \"Feels\", \"People\", <\/code><\/mark><\/p>\n\n\n\n

\"Strawberry Jam\" and \"Water Curses\" <\/code><\/mark><\/p>\n\n\n\n

(Fat Cat and Domino)<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Nurses - \"Dracula\" (Dead Oceans)<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Prince Rama - \"Trust Now\" and \"Top Ten Hits of the Apocalypse\" <\/code><\/p>\n\n\n\n

(Paw Tracks)<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Sun City Girls - All works between 1993 and 2010 <\/code><\/p>\n\n\n\n

(approximately 30 records)<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Decoder Ring - \"They Blind the Stars and the Wild Team\" (Inertia)<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Music Composition for \"Session 9\" <\/code><\/p>\n\n\n\n

directed by Brad Anderson (USA Films)<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Sound Design for \"Zombies of Mass Destruction\", <\/code><\/p>\n\n\n\n

\"Colony\" and \"Junk\" directed by Kevin Hamedani<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Sound Design for \"Walking to Werner\" directed by Linas Phillips<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Sound Design for \"Ice Cream Ants\" directed by Jeremy Carr<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Music Composition for KT Niehoff including <\/code><\/p>\n\n\n\n

\"A Glimmer of Hope\" and \"Collision Theory\"<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Sound Design for Donald Byrd and Spectrum Dance Theater's <\/mark><\/code><\/p>\n\n\n\n

production of \"Petruchska\"<\/mark><\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Administrator for ModernRecordingTechniques.com<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Parent's Choice award for \"Oyasumi\" <\/code><\/p>\n\n\n\n

by Elizabeth Falconer and Aiko Shimada<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Live radio mixes for KEXP including <\/code><\/p>\n\n\n\n

The Polyphonic Spree, Clinic, The Doves, Ben Gibbard and The Church<\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Time Magazine's \"Person of the Year\" 2006<\/mark><\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Musical Composition for \"People and Arts\" channel ID's <\/code><\/mark><\/p>\n\n\n\n

(Discovery Channel)<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Mudhoney - \"Since We've Become Translucent\" (Sub Pop)<\/code><\/mark>
<\/p>\n<\/div><\/div>\n\n\n\n

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Cerberus Shoal - \"Chaiming the Knoblessone\" <\/mark><\/code><\/p>\n\n\n\n

and \"Land We All Believe\"(NEI)<\/mark><\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Ken Stringfellow - \"Soft Command\" (Yep Rock)<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Feral Children - \"Second to the Last Frontier\" <\/code><\/mark><\/p>\n\n\n\n

and \"Brand New Blood\" (Sarathan)<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Captain Beefheart - \"Grow Fins\" box set (Revenant)<\/mark><\/code><\/p>\n<\/div><\/div>\n\n\n\n

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Climax Golden Twins - member and engineer 1995-2005<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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25 books on tape including recordings of Kirk Douglas, Adrienne Barbeau, Gary Owens and Michael York<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

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Various articles for TapeOp, Mix and EQ magazines<\/code><\/mark><\/p>\n<\/div><\/div>\n\n\n\n

And about 350 full length records from the world’s finest musicians<\/p>\n\n\n\n

The Long List (in reverse chronological order)<\/a>
<\/p>\n","protected":false},"excerpt":{"rendered":"

And about 350 full length records from the world’s finest musicians The Long List (in reverse chronological order)<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4266","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/4266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4266"}],"version-history":[{"count":22,"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/4266\/revisions"}],"predecessor-version":[{"id":6325,"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/4266\/revisions\/6325"}],"wp:attachment":[{"href":"https:\/\/scottcolburn.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}